No-one thought Bertie Simmonds could speak. So, when he is heard singing an Easter hymn, this is not so much the miracle some think as a bolt drawn back, releasing long-repressed emotions with potentially devastating consequences...A decade later, Bertie marries Anstace, a woman old enough to be his mother, and another layer of mystery starts to peel away. Beginning in a village in Kent and set between the two World Wars, That They Might Lovely Be stretches from the hell of Flanders, to the liberating beauty of the Breton coast, recounting a love affair which embraces the living and the dead.

Benjamin Britten was one of the outstanding British composers of the 20th century. He shot to international fame with his operas, performed by his own English Opera Group, and a series of extraordinary instrumental works. His music won a central place in the repertoire and the affection of successive generations of listeners. David Matthews brings to this biography his special insight as a fellow composer, former assistant and life-long friend of Britten to produce a uniquely personal, sensitive and authoritative account.

This anthology expounds the rich history of Kazan Tatar poetry, which has its beginnings in the early 12th century. Poets bear witness to the cultural, political as well as spiritual history of their nations, and in this sense, the history of poetry is the history of the nation. The authors try to single out the main themes of Kazan Tatar poetry in every epoch and period of time, the most penetrating of which is the theme of forceful alienation from one's motherland. The anthology unfolds against a rich and colourful background of social, cultural and political settings of each epoch, and presents Kazan Tatar poetry as it is, preserving its rhythmical, visual and rhyming structure supported by commentaries.

This book is specifically aimed at addressing a gap in the study of the evolution of corporate governance in Britain. In particular its key theme, the relationship between corporate governance and personal capitalism in British manufacturing in the first half of the twentieth century, provides the means for a systematic and critical examination of the dominant Chandlerian paradigm that the long-running persistence of personal capitalism shaped the governance of British manufacturing firms well into the twentieth century and acted to erode their competitive performance. The book helps to identify those aspects of corporate governance that have undergone change, with some critical observations on the magnitude of change and those aspects which have displayed characteristics of continuity. The empirical spine of this book is set out in a series of case studies which provide the basis for the examination of corporate governance in Britain during the period c. 1900 to 1950. By focusing particularly on the responses of a range of businesses to the turbulent environment of the inter-war years, this volume offers an insight into a much neglected, yet vital, area of business and economic history.

A fresh new approach to Victorian medievalism, showing it to be far from the preserve of the elite. This book offers a challenge to the current study of nineteenth-century British medievalism, re-examining its general perception as an elite and conservative tendency, the imposition of order from above evidenced in the work of Walter Scott, in the Eglinton Tournament, and in endless Victorian depictions of armour-clad knights. Whilst some previous scholars have warned that medievalism should not be reduced to the role of an ideologically conservative discourse which always and everywhere had the role of either obscuring, ignoring, or forgetting the ugly truths of an industrialised modernity by appealing to a green and ordered Merrie England, there has been remarkably little exploration of liberal or radical medievalisms, still less of working-class medievalisms. Essays in this book question a number of orthodoxies. Can it be imagined that in the world of Ivanhoe, the Eglinton Tournament, Dante Gabriel Rossetti, Alfred Tennyson, the working class remained largely oblivious to, or at best uninterested in, medievalism? What, if any, was the working-class medievalist counter-blast to conservatism? How did feminism and socialismdeploy the medieval past? The contributions here range beyond the usual canonical cultural sources to investigate the ephemera: the occasional poetry, the forgotten novels, the newspapers, short-lived cultural journals, fugitive Chartist publications. A picture is created of a richly varied and subtle understanding of the medieval past on the part of socialists, radicals, feminists and working-class thinkers of all kinds, a set of dreams of the Middle Agesto counter what many saw as the disorder of the times.

This anthology expounds the rich history of Kazan Tatar poetry, which has its beginnings in the early 12th century. Poets bear witness to the cultural, political as well as spiritual history of their nations, and in this sense, the history of poetry is the history of the nation. The authors try to single out the main themes of Kazan Tatar poetry in every epoch and period of time, the most penetrating of which is the theme of forceful alienation from one's motherland. The anthology unfolds against a rich and colourful background of social, cultural and political settings of each epoch, and presents Kazan Tatar poetry as it is, preserving its rhythmical, visual and rhyming structure supported by commentaries.

The aim of this course, which covers the whole grammar and all the constructions of modern Nepali, is to present a full description of both the spoken and written forms of modern standard Nepali, and to enable the student to understand, speak and read most of its variations. The earlier lessons concentrate mainly on the spoken style, and the conversation passages contain material which should prove useful to those who are about to travel in Nepal.

This book is specifically aimed at addressing a gap in the study of the evolution of corporate governance in Britain. In particular its key theme, the relationship between corporate governance and personal capitalism in British manufacturing in the first half of the twentieth century, provides the means for a systematic and critical examination of the dominant Chandlerian paradigm that the long-running persistence of personal capitalism shaped the governance of British manufacturing firms well into the twentieth century and acted to erode their competitive performance. The book helps to identify those aspects of corporate governance that have undergone change, with some critical observations on the magnitude of change and those aspects which have displayed characteristics of continuity. The empirical spine of this book is set out in a series of case studies which provide the basis for the examination of corporate governance in Britain during the period c. 1900 to 1950. By focusing particularly on the responses of a range of businesses to the turbulent environment of the inter-war years, this volume offers an insight into a much neglected, yet vital, area of business and economic history.

Nepali has also been adopted by peoples of the Himalayan region who belong to different linguistic groups, and is now understood throughout the whole of Nepal, the Darjeeling region of West Bengal, Sikkim, Bhutan and parts of Tibet, where it has functioned as a language of trade and commerce for well over two centuries. The aim of this course, which covers the whole grammar and all the constructions of modern Nepali, is to present a full description of both the spoken and written forms of modern standard Nepali, and to enable the student to understand, speak and read most types of Nepali he or she is likely to encounter. The earlier lessons concentrate mainly on the spoken style, and the conversation passages whilst the later lessons concern religious, political and literary topics. Nepal is a land which already provides great enjoyment to the increasing number of visitors from the west. A knowledge of the language leads to a deeper understanding of the culture of its people, and the object of A Course in Nepali is to provide the means of learning it without much difficulty. Earlier editions of this course have been the standard book for students at the School of Oriental and African Studies, and it is without question the established market leader.

David Matthews, author of the critically acclaimed LOOKING FOR A FIGHT, needed a fresh challenge after he had recovered from being a professional boxer. Drawn to the slightly shady appeal of greyhound racing, and not averse to making some easy money, he decided to learn the tricks of the trade from the inside and buy a greyhound. Unfortunately Zussies Boy, aka Kevin, turned out to be something of a dud, and Matthews soon found out the hard way that in the world of greyhound racing there is only one winner - the hare.

In the century before Chaucer a new language of political critique emerged. In political verse of the period, composed in Anglo-Latin, Anglo-Norman, and Middle English, poets write as if addressing the king himself, drawing on their sense of the rights granted by Magna Carta. These apparent appeals to the sovereign increase with the development of parliament in the late thirteenth century and the emergence of the common petition, and become prominent, in an increasingly sophisticated literature, during the political crises of the early fourteenth century. However, very little of this writing was truly directed to the king. As David Matthews shows in this book, the form of address was a rhetorical stance revealing much about the position from which writers were composing, the audiences they wished to reach, and their construction of political and national subjects.

In English literary and historical studies the border between the Middle Ages and the Early Modern period, and hence between 'medieval' and 'early modern' studies, has become increasingly permeable. Written by an international group of medievalists and early modernists, the essays in this volume examine the ways in which medieval culture was read and reconstructed by writers, editors and scholars in early modern England. It also addresses the reciprocal process: the way in which early modern England, while apparently suppressing the medieval past, was in fact shaped and constructed by it, albeit in ways that early modern thinkers had an interest in suppressing. The book deals with this process as it is played out not only in literature but also in visual culture - for example in mapping - and in material culture - as in the physical destruction of the medieval past in the early modern English landscape.

An accessibly-written survey of the origins and growth of the discipline of medievalism studies. The field known as "medievalism studies" concerns the life of the Middle Ages after the Middle Ages. Originating some thirty years ago, it examines reinventions and reworkings of the medieval from the Reformation to postmodernity,from Bale and Leland to HBO's Game of Thrones. But what exactly is it? An offshoot of medieval studies? A version of reception studies? Or a new form of cultural studies? Can such a diverse field claim coherence? Should it be housed in departments of English, or History, or should it always be interdisciplinary? In responding to such questions, the author traces the history of medievalism from its earliest appearances in the sixteenth century to the present day, across a range of examples drawn from the spheres of literature, art, architecture, music and more. He identifies two major modes, the grotesque and the romantic, and focuses on key phases of the development of medievalism in Europe: the Reformation, the late eighteenth century, and above all the period between 1815 and 1850, which, he argues, represents the zenith of medievalist cultural production. He also contends that the 1840s were medievalism's one moment of canonicity in several European cultures at once. After that, medievalism became a minority form, rarely marked with cultural prestige, though always pervasive and influential. Medievalism: a Critical History scrutinises several key categories - space, time, and selfhood - and traces the impact of medievalism on each. It will be the essential guide to a complex and still evolving field of inquiry. David Matthews is Professor of Medieval and Medievalism Studies at the University of Manchester.

An accessibly-written survey of the origins and growth of the discipline of medievalism studies. The field known as "medievalism studies" concerns the life of the Middle Ages after the Middle Ages. Originating some thirty years ago, it examines reinventions and reworkings of the medieval from the Reformation to postmodernity,from Bale and Leland to HBO's Game of Thrones. But what exactly is it? An offshoot of medieval studies? A version of reception studies? Or a new form of cultural studies? Can such a diverse field claim coherence? Should it be housed in departments of English, or History, or should it always be interdisciplinary? In responding to such questions, the author traces the history of medievalism from its earliest appearances in the sixteenth century to the present day, across a range of examples drawn from the spheres of literature, art, architecture, music and more. He identifies two major modes, the grotesque and the romantic, and focuses on key phases of the development of medievalism in Europe: the Reformation, the late eighteenth century, and above all the period between 1815 and 1850, which, he argues, represents the zenith of medievalist cultural production. He also contends that the 1840s were medievalism's one moment of canonicity in several European cultures at once. After that, medievalism became a minority form, rarely marked with cultural prestige, though always pervasive and influential. Medievalism: a Critical History scrutinises several key categories - space, time, and selfhood - and traces the impact of medievalism on each. It will be the essential guide to a complex and still evolving field of inquiry. David Matthews is Professor of Medieval and Medievalism Studies at the University of Manchester.

Whatever happened to middle England? Two of our funniest writers set out on a journey through conservative country - with hilarious results. The Women's Institute. Polo matches. The Duke of Edinburgh. Nimbys, shooting and game fairs. Pall Mall clubs, the Countryside Alliance and Boris Johnson. Hampshire Police's brass band, the rubber chicken circuit - and of course the Conservative party itself. Middle England, with all the social rituals, institutions and traditions that hold it together, has lasted for a long time. And Chris Horrie and David Matthews, two left-leaning journalists - Chris is from Manchester and David's parents are from Guyana - are fascinated by it. So off they go, armed with two ballpoints and a sharp sense of humour, to see what they can see. Sometimes, it's as simple as hanging out at the proms, munching scones with the vicar at a village cricket match, or chatting with Michael Howard. And other times, a bit more guile is needed - so Chris and David baffle Conservative party members by helping out with their campaigns. With backgrounds as investigative reporters, the authors infiltrate Middle England and capture its denizens at their least guarded. What they find is at times cheering, and sometimes a bit worrying - but it is always very entertaining. True Blue is Bill Bryson meets Spitting Image - and a must-read for fans of John O'Farrell, Private Eye and Jon Ronson.

Essays tackling the difficult but essential question of how medievalism studies should look at the issue of what is and what is not "authentic". Given the impossibility of completely recovering the past, the issue of authenticity is clearly central to scholarship on postmedieval responses to the Middle Ages. The essays in the first part of this volume address authenticitydirectly, discussing the 2017 Middle Ages in the Modern World conference; Early Gothic themes in nineteenth-century British literature; medievalism in the rituals of St Agnes; emotions in Game of Thrones; racism in Disney's Middle Ages; and religious medievalism. The essayists' conclusions regarding authenticity then inform, even as they are tested by, the subsequent papers, which consider such matters as medievalism in contemporary French populism; nationalism in re-enactments of medieval battles; postmedieval versions of the Kingis Quair; Van Gogh's invocations of Dante; Surrealist medievalism; chant in video games; music in cinematic representations of the Black Death; and sound in Aleksei German's film Hard to Be a God. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Aida Audeh, Tessel Bauduin, Matthias Berger, Karen Cook, Timothy Curran, Nickolas Haydock, Alexander Kolassa, Carolyne Larrington, David Matthews, E.J. Pavlinich, Lotte Reinbold, Clare Simmons, Adam Whittaker, Daniel Wollenberg.

In the century before Chaucer a new language of political critique emerged. In political verse of the period, composed in Anglo-Latin, Anglo-Norman, and Middle English, poets write as if addressing the king himself, drawing on their sense of the rights granted by Magna Carta. These apparent appeals to the sovereign increase with the development of parliament in the late thirteenth century and the emergence of the common petition, and become prominent, in an increasingly sophisticated literature, during the political crises of the early fourteenth century. However, very little of this writing was truly directed to the king. As David Matthews shows in this book, the form of address was a rhetorical stance revealing much about the position from which writers were composing, the audiences they wished to reach, and their construction of political and national subjects.

Living alone in his single bedsit in Marylebone, young Daniel Felton is a young man in trouble. As his financial problems mount, feeling increasingly threatened and desperate, he needs to get away from London fast. With some helpful assistance from his concerned cousin, he finds a welcome bolt hole down in deepest Cornwall. At first 'The Chough Cottage' in Tregarris seems a welcome sanctuary. However, it's not too long before events catch up with him, taking a sinister turn for the worse. Daniel seems to have enemies everywhere, with even the cottage itself seeming to possess malevolent dark secrets of its own...

Definitions of key words and terms for the study of medievalism. The discipline of medievalism has produced a great deal of scholarship acknowledging the "makers" of the Middle Ages: those who re-discovered the period from 500 to 1500 by engaging with its cultural works, seeking inspiration from them, or fantasizing about them. Yet such approaches - organized by time period, geography, or theme - often lack an overarching critical framework. This volume aims to provide such a framework, by calling into question the problematic yet commonly accepted vocabulary used in Medievalism Studies. The contributions, by leading scholars in the field, define and exemplify in a lively and accessible style the essential terms used when speaking of the later reception of medieval culture. The terms: Archive, Authenticity, Authority, Christianity, Co-disciplinarity, Continuity, Feast, Genealogy, Gesture, Gothic, Heresy, Humor, Lingua, Love, Memory, Middle, Modernity, Monument, Myth, Play, Presentism, Primitive, Purity, Reenactment, Resonance, Simulacrum, Spectacle, Transfer, Trauma, Troubadour Elizabeth Emery is Professor of French and Graduate Coordinator at Montclair State University (Montclair, NJ, USA); Richard Utz is Chair and Professor of Medievalism Studies in the School of Literature, Media, and Communication at Georgia Tech (Atlanta, GA, USA). Contributors: Nadia Altschul, Martin Arnold, Kathleen Biddick, William C. Calin, Martha Carlin, Pam Clements, Michael Cramer, Louise D'Arcens, Elizabeth Emery, Elizabeth Fay, Vincent Ferre, Matthew Fisher, Karl Fugelso, Jonathan Hsy, Amy S. Kaufman, Nadia Margolis, David Matthews,Lauryn S. Mayer, Brent Moberly, Kevin Moberly, Gwendolyn Morgan, Laura Morowitz, Kevin D. Murphy, Nils Holger Petersen, Lisa Reilly, Edward Risden, Carol L. Robinson, Juanita Feros Ruys, Tom Shippey, Clare A. Simmons, Zrinka Stahuljak, M. Jane Toswell, Richard Utz, Angela Jane Weisl.

In accounts of the emergence of medieval studies in the post-medieval period, the growth of the discipline of Middle English has so far not been fully charted. This study provides the principal source materials for the study of the formation of Middle English, most of which are rare and difficult to obtain. It enables the detailed study of the key documents in the growth of Middle English - gathered together for the first time. It will also enable the setting of courses in this field. Each extract is preceded by a full histroical and critical introduction and bibliography; any passages in late Latin and German are translated. Part 1 examines the origins and growth of 'Middle English' as a linguistic concept and includes extracts from George Hickes (1703-5), Thomas Warton (1774-81), R.G. Latham (1841), James A.H. Murray (1875-89), T.L. Kington Oliphant (1873), George P. Marsh (1862) and George Craik (1872). Part 2 examines the gradual emergence of a concept of 'Middle English literature' as a disciplinary field and the key ideological movements in its early scholarship. Extracts are drawn from Thomas Hearne (1724), Richard Hurd (1762), Thomas Percy (1765), Thomas Warton again, Thomas Tyrwhitt (1775-8), George Ellis (1801), Joseph Ritson (1802), Walter Scott (1804), George Ellis (1805), Henry Weber (1810), Thomas Whitaker (1813), E.V. Utterson (1817), James Heywood Markland (1818) - for the Roxburghe Club publications, David Laing (1822), William Turnbull (1838) - for the Maitland and Abbotsford Club publications, Frederic Madden (1839), James Orchard Halliwell - for the Camden Society publications, Thomas Wright (1847-51) and Frederic Furnivall, the last extract in which he circularises colleagues announcing the foudning of the Early English Text Society (1864).